



Melbourne 2010
About Perdita Phillips
Perdita Phillips is a Western Australian artist whose work encompasses installation, walking, sound art, photography, book and digital art. She is currently artist in resident at SymbioticA with The Sixth Shore spatial sound art project, co-editing a book combining art and poetic texts (Birdlife, 2010) and organising the symposium Unruly ecologies: Biodiversity and art. Recent projects include In Vetland (residency and solo exhibition, School of Veterinary and Biomedical Sciences, Murdoch University 2009), Green, Grey or Dull Silver: art and the behavioural ecology of the Great Bowerbird, Chlamydera Nuchalis (SymbioticA, 2007-8) walking and art residency at the Banff Centre (Canada, 2007), and Vade mecum (Perth Institute of Contemporary Arts, 2006). Exhibitions include Home Open (Fremantle Arts Centre, 2010), Transmission video projection event (Perth, 2009), The Yellow Vest Syndrome (Fremantle Arts Centre, 2009), and The System of Nature (2007, Lawrence Wilson Art Gallery).
The combination of the three propositions presents the possibilities of conversations about networks across the southern hemisphere. Whilst the fundamental question of how change happens in society is too big for these pieces to answer, the idea is to recognise both the commonalities and margins between people (and others) in different places. The question of effectiveness and affectiveness of art as social practice remains unresolved, but these propositions activate new situations and remind us that we don’t represent the Other, but are the others.
Proposition 1: to collect what cannot be collected
Utilising a network of artists throughout the South, ask people to write or draw a response on A4 paper to the question:
What cannot be collected?
post responses to: perdy@perditaphillips.com
or email:
PO Box 747
Fremantle WA 6959, AUSTRALIA
Fifty responses will be selected and assembled into a photocopy book and distributed back to participants
See
http://www.perditaphillips.com/projects_blog/?p=1350 or Facebook Events
Proposition 2: dissolution of the southern skies
This is a project for people who reside in the southern hemisphere (everyone else can cheer us on!).
The process of photocopying a photocopy degrades an image down to a network of nothing. This exchange process begins by assembling a collection of 100 participants in a list arranged by their longitude. Starting at the top of the list each participant will photocopy the copy that they receive, sending this photocopy to the next person on the list and returning the previous photocopy back to a central address.
To participate email perdy@perditaphillips.com with your name, snail mail address, Latitude and Longitude.
Proposition 3: shy
The Shy Albatross Thalassarche cauta flies in a ‘casual, hump-backed, lanky, droop-winged manner’ across the southern latitudes. A number of races are recognised breeding on selected islands off Australia and New Zealand. It is a ship-follower and fish processing waste comprises a significant proportion of its diet. It dives for food and circles dolphins waiting for scraps. Like many albatrosses its populations are affected by longline fishing.
What does it mean to engage with the life of a Shy Albatross? For most of its life it is unseen and unobserved hunting over the deep waters of the open ocean. I’d like to connect up with artists making with a ‘shy’ practice.
To get your Latitude and Longitude find your house on Google maps http://maps.google.com. You may have to go up to the red ‘new!’ button at the top right hand corner and enable the LatLng Tool Tip. You can then get a 6 decimal point Latitude and Longitude. A minus Latitude means you are in the southern hemisphere. The Longitude will determine your order in the list. Please note that your Latitude will not be exhibited publicly so your house will not be revealed.
The work will take place in January 2010 and once I have 100 participants.
The 100 sheets will be assembled and exhibited in 2011 before documentation of the results are distributed back to participants.
See
http://www.perditaphillips.com/projects_blog/?p=1372 or
Facebook event http://www.facebook.com/event.php?eid=135652779817435
This last proposal of using albatrosses as a nonhuman thematic for a body of work by one or a series of artists is a speculative proposition. It is open to discussion as to what constitutes a ‘shy’ practice: is it lack of fame? Lack of peer recognition? Concern with issues not in the mainstream? Or the development of different strategies of art practice and community engagement? Are different things being valued in societies forming new and different networks? And what happens when we adopt the (metaphorical) eyes of a bird? Can we understand and value worlds more extensive than our own?
